May December places identity, power and uncomfortable histories within the apparently settled life of a couple. The arrival of an actress researching a role disturbs that surface. Todd Haynes creates a demanding mixture of melodrama and black comedy rather than an easy account of the past.
Natalie Portman's performance is subtle and deeply unsettling. As Elizabeth studies and imitates Gracie, gestures and speech become part of a troubling exchange. The relationship raises questions about how a person can be observed, reproduced and manipulated.
Julianne Moore is equally impressive as someone caught within a distorted view of her own behaviour. The character's insistence on understanding herself through love complicates the encounters without removing their moral weight.
Soft light and apparently idyllic surroundings acquire a dreamlike quality. The images suggest the distance between the characters' comfortable environment and what lies beneath it. The score adds unease and strengthens the emotional atmosphere.
The film can be difficult to enter. Its awkward narrative approach and distressing concerns will not appeal equally to everyone. The ambition is valuable, but the experience is not consistently comfortable or straightforward.
For viewers willing to engage with a challenging drama, May December offers strong performances and an effective visual and musical design. It is imperfect but remarkable, making its uncomfortable questions part of the attraction rather than something it quickly resolves.