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Sam Kerr: Kicking Goals Gets a Paramount+ Live-Action Series for 2027

The series follows Kerr at eleven in Western Australia; casting is under way.

A childhood story comes to television

Paramount+ Australia has ordered a live-action series based on Sam Kerr: Kicking Goals, the books Sam Kerr co-wrote with Fiona Harris. Planned for 2027, it follows an eleven-year-old Sam in Western Australia with friends, family, school and football all demanding her attention. Casting for young performers is under way and filming is planned locally. The adaptation has a natural measure of success: can a training-ground problem feel urgent to the girl living through it, even when the audience knows the adult star she will become? A friendship, a mistake or a contested place in the team can carry that tension without borrowing importance from a future trophy.

The timing gives the show a clear place in Paramount+'s next-year schedule: the service also plans to carry the 2027 Women's World Cup. That link is obvious marketing, but the series will succeed on a different scale. A child watching does not need a future trophy to understand being left out of a team, making a mistake or choosing whether to try again. The strongest episodes can make an ordinary training day consequential. If every difficulty is solved by pointing toward the adult star she will become, the young character loses the uncertainty that makes a story worth following.

Friends can be more than a cheering section

Paramount describes two close friends travelling with Sam through her early football experience. This gives the series a chance to widen the story beyond a future celebrity's origin. Friendship can be tested when one child improves faster, another wants a different activity or a place on a team comes down to a difficult choice. A children's drama does not have to turn every disagreement into a permanent break. It can make room for small repairs that young viewers recognise: an apology after a bad pass, an invitation to practise and the courage to admit disappointment.

The book publisher presents Kicking Goals as a continuing children's series with classroom material and activities. That existing readership matters, but an adaptation has to make scenes rather than simply illustrate pages. Football is especially useful on screen because it gives characters visible actions: who passes, who hesitates, who is allowed to take a shot. Those choices can show relationships without explaining every feeling aloud. If the camera only waits for Sam to score, the friends become decoration. Their own goals and frustrations could make the team feel like a group instead of a biography assembled around one name.

A local production with a clear setting

Paramount names Diya Eid as creator. That location should matter as more than a line in a production announcement. A school, neighborhood pitch and family home can make the child's daily routines feel specific. Viewers outside Australia can follow an ordinary problem without the show flattening its place into a generic sports backdrop. Local detail is one of the reasons to adapt this particular childhood, not an obstacle to international viewing.

The casting search will also shape the tone. Young performers need to make mistakes, joke with one another and play as a believable team, not simply resemble famous adults. A sports series can fall into a predictable sequence of practice, setback and victory. Specific relationships offer a way out: perhaps a win creates a new problem, or a loss reveals a skill that the scoreboard cannot measure. These are possibilities for the adaptation, not announced plot points.

A result viewers can judge for themselves

That leaves plenty of production work between this news and a finished episode. The series also sits beside a major live sports event on the same platform, which may bring football-curious families to it. A promotional connection can help viewers find a show; it cannot make characters matter to them. That requires the writing to let Sam learn something that is not already guaranteed by what the audience knows about her future.

The young lead still needs ordinary choices that feel honest in the moment, even when her name is already famous. Parents and young viewers should be able to enjoy a friendship or a tough match without studying Kerr's professional record first. Paramount's commission gives an Australian children's sports story room on a major service. The test is whether it can remain a child's story even when the adult icon is in the title.

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